Miles LX - Coltrane and Beyond

DiscoMiles LX - Coltrane and Beyond
Year1960
Venue
Date
NotesSource: bt.easytree.org
Original torrent name: Miles Davis - LX Coltrane and Beyond.torrent
Original folder name: Miles Davis - LX Coltrane and Beyond
---
davis-coltranebeyond.txt

Disk 1 of Miles LX tree

Miles Davis Quintet
24 March 1960
Tivoli Konsertsal
Copenhagen, Denmark
Danish Radio FM broadcast

Total Running Time - 44:14.000

1. So What (M. Davis) 14:22
2. On Green Dolphin Street (N. Washington-B. Kaper) 14:21
3. All Blues/The Theme (M. Davis) 15:29

Miles Davis (tp)
John Coltrane (ts)
Wynton Kelly (p)
Paul Chambers (b)
Jimmy Cobb (d)

===

Disk 2 of Miles LX tree

Miles Davis Quintet
West Germany

Total Running Time - 60:31.310

Part 1: Unknown location(s), probably West Germany between 21 March and 10 April

Fragment 1 [27:18]

1. So What (N. Washington-B. Kaper)10:36 [incomplete, start cut]
2. 'Round Midnight (5:42)
3. Walkin' (11:00) [incomplete, end cut)

Fragment 2

4. So What (N. Washington-B. Kaper) 10:12

Part 2: 30 March 1960, Kongresshalle, Frankfurt am Main, West Germany

5. Announcement 0:15
6. So What (N. Washington-B. Kaper) 12:57
7. All of You (C. Porter) 9:48 [incomplete, end cut]

Miles Davis (tp)
John Coltrane (ts)
Wynton Kelly (p)
Paul Chambers (b)
Jimmy Cobb (d)

===

Disk 3 of Miles LX tree

Miles Davis Quintet
8 April 1960
Kongresshaus
Zurich, Switzerland
Unknown FM Radio broadcast

Total Running Time - 57:35.72

1. If I Were a Bell (F. Loesser) 16:43
2. Fran Dance (M. Davis) 7:36
3. So What (M. Davis) 15:20
4. All Blues (M. Davis) 17:02
5. The Theme (M. Davis) 0:52

Miles Davis (tp)
John Coltrane (ts)
Wynton Kelly (p)
Paul Chambers (b)
Jimmy Cobb (d)


===

Disk 4 of Miles LX tree

Miles Davis Quintet
9 April 1960
Kurhaus
Scheveningen, Holland
VARA Radio FM broadcast

Total Running Time - 45:50.72

1. So What (M. Davis) 17:41
2. 'Round Midnight (B. Hanighen, C. Williams, T. Monk) 5:44
3. On Green Dolphin Street (N. Washington, B. Kaper) 12:28
4. Walkin' (R. Carpenter) 9:09
5. The Theme (M. Davis) 0:47

Miles Davis (tp)
John Coltrane (ts)
Wynton Kelly (p)
Paul Chambers (b)
Jimmy Cobb (d)


===

Disks 5 and 6 of Miles LX tree

Miles Davis Quintet
September 27, 1960
Free Trade Hall
Manchester, England
Audience recording [Includes part of the First Concert and Most of the Second]

Miles Davis (tp)
Sonny Stitt (as, ts)
Wynton Kelly (p)
Paul Chambers (b)
Jimmy Cobb (d)


Disc Five

Fragment from start of First Concert
1. Four (M. Davis) 10:54
2. All of You (C. Porter) 14:14
3. Walkin' (R. Carpenter) [incomplete, end cut] 4:23
Fragments from start of the Second Concert
4. Four (M. Davis) [incomplete, start cut] 8:09
5. All Blues (M. Davis) 14:44


Disc Six

Second Concert continued [46:05.000]

1. Well, You Needn't (T. Monk) 13:12
2. Autumn Leaves (J. Prevert-J. Mercer-J. Kosma) 17:23
3. So What (M. Davis) 10:32
4. Stardust (H. Carmichael-M. Parish) 4:15
5. The Theme (M. Davis) 0:41
---
restorationnotes.txt

LX Tree Audio Restoration Notes

Legend:
- note or comment
= item has been acted upon, completed
+ item is outstanding or in progress
* item requires further review and testing

Acronyms:
NR = Noise Reduction
==================================================
=====================================

Disc 1 - Part 1 (Tracks 1-4)

= gain normalized across each fragment (A = Tracks 1-3, and B = Track 4)
= quantized track lengths for CD Audio

Track 1 (Fragment A)
= insert red-book standard 4s lead mute in
=.pop removal 0.00-0.01, 3:41
= removed repeated segment and cleaned up applause fade out/in transition between track 1 and 2

Track 2 (Fragment A)
= repositioned track marker to start of song
= pop removal: 041, 1:39
= muted lead in

Track 3 (Fragment A) [nc]
= mute lead out

Track 4 (Fragment B)
= muted lead in
= signal repair tape wow at 7:43 repaired by R channel gain +11.2 dB over 16.8 ms
= re-faded applause and muted lead out

----------------------------------------
Disc 1 - Part 2 (Tracks 5-7)

1 NR Version: Continuosu NR using noise sample at beginning of track 1 (removed cassette tape hiss but revealed underlying
broadband surface noise from ancestor analog generation(s) of reel tape and probably some broadcast noise

2. No NR Version - I produced a version without NR for comparison -- someone can decide which version to distribute

= gain normalize across all 3 tracks
= increased gain on R channel by 1.8 dB
= quantized track lengths for CD Audio

Track 5
= add 4s lead in and remove noise at beginning of broadcast
= extensive manual click and pop removal
= removed 15.5 ms drop out at 00:12.381
+++++++++++++
+.speed problem / tape start - I chose not to spend the time required to fix this as it does not affect the music
+ track 5 could be dropped from this set and a clean lead in to track 6

Track 6.
= extensive manual click and pop removal
= removed 0.61 ms dropout at 8:33

Track 7.
= extensive manual click and pop removal
= signal repair 2:13-2:16 (drop outs, tape wow, clicks)
= mute lead out

* FINAL REVIEW

==================================================
=====================================

Disc 2 March 24, 1960

= gain normalized across all 3 tracks
= quantized track lengths for CD Audio

Track 1
= added 4s lead in
= manual crackle removal and digi-noise masking
1:32, 2:28, 3:15, 9:55, 10:03, 10:51, 11:07, 11:23, 13:38, 14:10
signal repair = repair drop outs at 14:10 (1.9 and 3.2 ms)

Track 2
= clean up all digi-glitches
= manual crackle removal and digi-noise masking
0:17, 0:19, 0:23, 0:27, 0:28, 0:35, 0:42, 0:44, 1:15, 1:23, 1:38, 2:01, 5:32, 6:06, 11:34
signal repair = removed 10.3 ms drop out (micro gap) at track 2 marker

Track 3
= gain correction 0:14-0:16
= signal repair: R channel gain fades at 0:14 and 3:00
= repair drop outs 5:38 (6.1 ms)
8:57 (36.6 ms)
= added 1s mute lead out
= edited length of mute lead out so disc length is 44:14.000

* FINAL REVIEW

==================================================
=====================================

Disc 3 April 8, 1960

= normalize gain across all tracks
= quantized track lengths for CD Audio

Track 1
= added 4s lead in
= manual click and pop removal and signal repair
0:16, 0:19, 0:20, 0:21, 0:24, 0:48, 3:20, 12:36, 5:19, 13:18, 13:49, 14:13, 14:25, 14:53, 14:57, 14:58, 15:31, 16:08
= dropout repair 0:19 (22ms)
= eliminated fade out at end of track

Track 2
= eliminated fade in at start of track
= manual click and pop removal and signal repair
0:13, 0:21, 0:29, 0:30, 0:32, 1:04, 1:06, 1:13, 4:42, 4:48, 4:50, 4:54, 4:55, 4:57, 5:00, 5:01, 5:02, 5:03, 5:04,
5:07, 5:09, 5:10, 5:12, 5:13, 5:14, 5:16, 5:17, 5:23, 5:24, 5:29, 5:30, 5:33, 5:34, 5:35, 5:40, 5:47, 5:48, 5:51,
5:54, 5:55, 5:56, 5:58-5:60, 6:13, 6:20, 6:35, 6:37, 6:52, 7:09
= eliminated fade out at end of track

Track 3
= eliminated fade in at start of track
= eliminated or diminished applause at start of track
= manual click and pop removal and signal repair 4:18, 10:39, 11:16, 11:28, 11:32*, 11:33, 12:38, 14:45
= signal repair gain correction at 14:36, +3dB staged over 83ms
= clean lead out
= eliminated fade out at end of track

Track 4
= eliminated fade in at start of track
= mute lead in
= click/pop removal and signal repair 0:00, 0:05, 0:06, 0:09, 3:28, 8:34*, 9:37, 13:54, 16:06, 16:40
= gain corrrection: = 2:59-3:00 (=3db staged over 1.12s
= 3:28, 3:38-3:44 (+2dB)
= 3:57-3:58 (+2dB + 1sb)
= 12:46 (+2dB + 2sb)
= drop out repair: = 2:57 (14.9ms)
= 2:58 (17.1ms)
- segue into Track 5

Track 5
= repositined strart ID to start of song
= clened trailing fade and added mute lead out
= edited length of lead out so disc length is 57:42.000

* FINAL REVIEW

==================================================
=====================================

Disc 4 April 9, 1960

= clean track transitions, eliminate fade out/in where possible
= gain normalize across all 5 tracks
= quantized track lengths for CD Audio

Track 1
= added 4s lead in
= pop removal 11:27, 11:32, 16:50, 17:30, 17:41, 17:43
= signal repair fade (11:32-11:33)
= cleaned transition into track 2

Track 2
= repositioned track marker to start of tune
= signal repair:
removed 13.3 ms digital silence (micro gap) from start of tune (at original track marker)
3:16 (12.8 ms drop out removed)
= remved fade out on closing applause and segued into track 3

Track 3
- fade in on start of tune
= click/pop removal 0:05, 11:30
signal repair: = cleaned up a tape wow at 3:58 -- removed 3.3 ms and adjusted gain over subsequent 2s
= cleaned up a drop out at 6:47 -- removed 16.0ms
= remved fade out on closing applause and segued into track 4

Track 4
= glitch removal = 0:00-2:29 - too numerous to document, but real bad during bass bow solo
= tick/pop removal 0:04*, 0:08, 0:09, 0:12, 0:24, 0:25, 0:26, 0:27, 0:28, 0:29, 0:31, 0:34, 0:35, 0:37, 0:39, 0:40, 0:43,
0:44, 0:46, 0:47, 0:48, 0:49, 0:50, 0:52, 0:53, 056, 0:59, 1:00, 1:01, 1:02*, 1:03, 1:05*, 1:06, 1:08,
1:14, 1:15, 1:18*, 1:23, 1:25, 1:26, 1:27, 1:30, 1:31, 134, 134-1:36*, 1:37, 1:39*, 1:40, 1:41-145*,
1:46*, 1:47, 1:48, 1:49, 1:50*, 153, 1:54*, 2:04*, 2:05, 2:08, 2:10, 2:16, 2:25, 2:41, 2:53*, 3:07*, 3:20,
3:28, 3:29, 3:32, 3:35, 4:00, 4:02, 4:06, 4:07*, 4:15, 4:23, 4:24, 4:27, 4:37, 4:49, 4:54, 4:58, 5:24*, 5:26,
5:48, 6:05, 6:08, 6:09, 6:11, 6:21, 6:23, 6:27, 6:39, 6:40, 6:41*, 7:11*, 7:13, 7:22, 7:23, 7:29, 7:37, 7:49,
8:00, 8:11*, 8:15, 8:28, 8:30*, 8:38, 8:39,8:40, 9:02, 9:05
signal repair = 0.08 gain correction (3sb over 20 ms)
= 0:22 removed 8.8 ms drop out
= 0:24-0.26 repaired tape flutter
= 0:51 removed 1.7ms drop out
= 0:51 tape wow/drop out (12.7 ms)
= 0:55 tape wow (gain corrected)
= 1:09 gain corrected wow (250 ms)
= 1:34 gain corrected wow (26 ms)
= 2:00 removed 0.2 ms drop out
= 2:17 removed drop out (44.6 ms)
= 2:23 gain corected wow at 3:23 (250 ms)
= 3.13 removed 10.9 ms drop out
= 3:19 fixed 800 ms fade (sb series)
= 3:27 fixed 250 ms fade (sb + tbu series)
= 3:37 gain corrected small wow
= 3:46 gain corrected small wow
= 3:48 gain corrected small wow
= 4:11 gain corrected wow (950 ms) +4sb (staged)
= 4:16 gain corrected wow (400 ms) +2sb (staged)
= 4:17 gain corrected wow (50 ms) +2sb (staged)
= 6:07-6:08 gain corrected wow (800 ms) +4sb (staged)
= 6:19-6:20 gain corrected wow (1.2s)
= 6:47 removed 0.2 ms drop out
= 6:48 gain corrected wow (250 ms) +3sb (staged)
= 6:54 removed 38.2ms drop out
= 7:19 removed 24.7ms and 4ms drop out
= 8:28 removed 7.8 ms drop out
= 8:30 removed 4.9 ms drop out
= 8:39 removed 9.8 ms drop out
= 8:43-8:49 gain correction +4 dB (staged)
- segue into track 5

Track 5
= repositioned track marker to start of tune
signal repair = removed 13.3 ms digital silence (micro gap) from start of tune (at original track marker)
= removed 0.4 ms drop out at 0:43
= dampened applause crossfade
= cleaned fade out
- fade out on closing applause

* Track 4 requires on more de-click pass
* FINAL REVIEW

==================================================
=====================================
Discs 5 + 6 Manchester 27 September 1960

= move tracks 4 and 5 of disc 5 to start of disc 6 so 1st and 2nd concerts are on separate discs and 2nd Concert is continuous
- now I am questioning this: On the basis of sound quality, there is a vast difference between the original 2 "source" discs
- the clipping on MD trumpet bursts is not easily removed as each click consists of hundreds of micro-clicks very close together;
this problem is associated with the first disc, where each disc of the source material was presumably corresponds to teh two sides
of a cassette

-----------------------------------------------------------------
Disc 5 September 27, 1960 First Concert (29:34)

= gain normalize across all 3 tracks
= repostion track markes to start of songs
= edit lead out length to set disc lenght to 29:34.000
= quantized track lengths for CD Audio

Track 1
= insert 4s lead in
= R channel + 1 dB to balance stereo image
+ manual click and pop removal
0:43*, 0:55, 0:56*, 0:59-0:60*, 1:03*, 1:32-1:33*, 1:36-7*, 1:41*, 2:07*, 2:19;2:27*, 3:07*, 4:26*, 4:40*, 4:44*, 5:20*, 5:22*,
5:38*, 6:39*, 5:46, 5:56*, 6:04-6:05*, 6:32*, 6:40*, 6:58-6:59*, 7:09*, 7:19-7:29*, 7:34-7:35, 7:42*, 8:24, 8:25-10:31*, 10:32, ...
= signal repair = 5:50-6:14 gain corrected R channel (+4.5 dB)
= 5:52-5:54 gain corrected R channel (+2.0 dB)
= 6:14-6:32 gain corrected R channel (+2.8 dB)
= cleaned up all digi-glitches

Track 2
= cleaned up all digi-glitches
+ manual pop and click removal 0:32-0:35*, 0:45*, ...

Track 3
= cleaned up all digi-glitches
+ manual pop and click removal
= cleaned lead out: shortened fade out

COMPLETED FIRST PASS

-----------------------------------------------------------------

Disc 6 September 27, 1960 Second Concert (69:00 min.)

= increase gain on tracks 1 and 2 by 1.5 dB
= gain normalize across all tracks
= adjusted lead out length to make disc 01:09.000 (69 minutes)
= quantized track lengths for CD Audio

+ de-hiss tracks 3-7 ???

Track 1
= insert 4s lead in
= clean up all digi-glitches
+ manual click and pop removal (click complexes)
0:12, 0:14*, 0:18*, 0:42*, 0:47-0:49*, 0:52*, 0:55*, 1:05-1:08*, 1:19-1:20*, 1:24*, 1:49*, 2:00*, 2:10*,
2:21*, 2:24, 2:37*, 2:41*, 2:42*, 2:46*, 2:52*, 2:53, 3:11*, 3:21*, 3:26*, 3:34*, 3:45*, 3:49*, 4:15*, 4:30*,
4:48*, 4:55*, 5:14*, 5:37*, 5:45-5:46*, 7:13*, 7:29*, 8:11, 8:12*
signal repair * 3:17-3:19 -- 3 tape slips (frequency shifted)

Track 2 (must re-do from scratch)
signal repair = clean up all digi-glitches
= shortened fade prior to end-of-song cut (refade)

+ manual click and pop removal
0:00.2*, 0:32*, 0:39-0:43*, 1:20, 1:21-1:25*, ++++++

Track 3
+ pop removal 2:38*, 3:59
= signal repair = 5:38-5:39 gain corrected wow/fade
= 3:59 gain corrected wow
= 11:38 gain corrected small wow

Track 4
+ click/pop removal 1:52*
= digi-glitches 14:16 (6 ms deleted)
= signal repair = 0:21-0:22 repaired R channel drop out and associated digi-glitches
= 16:40 repaired 100 ms wow

Track 5
+ reposition track ID to start of song
+ click/pop removal 2:26*, 2:27*, 3:11*, 3:19*
= signal repair = 7:13-7:15 gain corrected fade

Track 6
- no clicks or glitches

Track 7
= reposition track ID to start of song
= clean lead out (refade - changed long fade on music/applause to fade on ending applause - after the music ends)
---
info.htm
Miles Davis - LX Coltrane and Beyond
Miles Davis - LX Coltrane and Beyond.torrent
Miles Davis LX Coltrane and Beyond.htm
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MediaFLAC
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nVol105