Disco | Miles LX - Coltrane and Beyond |
Year | 1960 |
Venue | |
Date | |
Notes | Source: bt.easytree.org
Original torrent name: Miles Davis - LX Coltrane and Beyond.torrent Original folder name: Miles Davis - LX Coltrane and Beyond --- davis-coltranebeyond.txt Disk 1 of Miles LX tree Miles Davis Quintet 24 March 1960 Tivoli Konsertsal Copenhagen, Denmark Danish Radio FM broadcast Total Running Time - 44:14.000 1. So What (M. Davis) 14:22 2. On Green Dolphin Street (N. Washington-B. Kaper) 14:21 3. All Blues/The Theme (M. Davis) 15:29 Miles Davis (tp) John Coltrane (ts) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) === Disk 2 of Miles LX tree Miles Davis Quintet West Germany Total Running Time - 60:31.310 Part 1: Unknown location(s), probably West Germany between 21 March and 10 April Fragment 1 [27:18] 1. So What (N. Washington-B. Kaper)10:36 [incomplete, start cut] 2. 'Round Midnight (5:42) 3. Walkin' (11:00) [incomplete, end cut) Fragment 2 4. So What (N. Washington-B. Kaper) 10:12 Part 2: 30 March 1960, Kongresshalle, Frankfurt am Main, West Germany 5. Announcement 0:15 6. So What (N. Washington-B. Kaper) 12:57 7. All of You (C. Porter) 9:48 [incomplete, end cut] Miles Davis (tp) John Coltrane (ts) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) === Disk 3 of Miles LX tree Miles Davis Quintet 8 April 1960 Kongresshaus Zurich, Switzerland Unknown FM Radio broadcast Total Running Time - 57:35.72 1. If I Were a Bell (F. Loesser) 16:43 2. Fran Dance (M. Davis) 7:36 3. So What (M. Davis) 15:20 4. All Blues (M. Davis) 17:02 5. The Theme (M. Davis) 0:52 Miles Davis (tp) John Coltrane (ts) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) === Disk 4 of Miles LX tree Miles Davis Quintet 9 April 1960 Kurhaus Scheveningen, Holland VARA Radio FM broadcast Total Running Time - 45:50.72 1. So What (M. Davis) 17:41 2. 'Round Midnight (B. Hanighen, C. Williams, T. Monk) 5:44 3. On Green Dolphin Street (N. Washington, B. Kaper) 12:28 4. Walkin' (R. Carpenter) 9:09 5. The Theme (M. Davis) 0:47 Miles Davis (tp) John Coltrane (ts) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) === Disks 5 and 6 of Miles LX tree Miles Davis Quintet September 27, 1960 Free Trade Hall Manchester, England Audience recording [Includes part of the First Concert and Most of the Second] Miles Davis (tp) Sonny Stitt (as, ts) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) Disc Five Fragment from start of First Concert 1. Four (M. Davis) 10:54 2. All of You (C. Porter) 14:14 3. Walkin' (R. Carpenter) [incomplete, end cut] 4:23 Fragments from start of the Second Concert 4. Four (M. Davis) [incomplete, start cut] 8:09 5. All Blues (M. Davis) 14:44 Disc Six Second Concert continued [46:05.000] 1. Well, You Needn't (T. Monk) 13:12 2. Autumn Leaves (J. Prevert-J. Mercer-J. Kosma) 17:23 3. So What (M. Davis) 10:32 4. Stardust (H. Carmichael-M. Parish) 4:15 5. The Theme (M. Davis) 0:41 --- restorationnotes.txt LX Tree Audio Restoration Notes Legend: - note or comment = item has been acted upon, completed + item is outstanding or in progress * item requires further review and testing Acronyms: NR = Noise Reduction ================================================== ===================================== Disc 1 - Part 1 (Tracks 1-4) = gain normalized across each fragment (A = Tracks 1-3, and B = Track 4) = quantized track lengths for CD Audio Track 1 (Fragment A) = insert red-book standard 4s lead mute in =.pop removal 0.00-0.01, 3:41 = removed repeated segment and cleaned up applause fade out/in transition between track 1 and 2 Track 2 (Fragment A) = repositioned track marker to start of song = pop removal: 041, 1:39 = muted lead in Track 3 (Fragment A) [nc] = mute lead out Track 4 (Fragment B) = muted lead in = signal repair tape wow at 7:43 repaired by R channel gain +11.2 dB over 16.8 ms = re-faded applause and muted lead out ---------------------------------------- Disc 1 - Part 2 (Tracks 5-7) 1 NR Version: Continuosu NR using noise sample at beginning of track 1 (removed cassette tape hiss but revealed underlying broadband surface noise from ancestor analog generation(s) of reel tape and probably some broadcast noise 2. No NR Version - I produced a version without NR for comparison -- someone can decide which version to distribute = gain normalize across all 3 tracks = increased gain on R channel by 1.8 dB = quantized track lengths for CD Audio Track 5 = add 4s lead in and remove noise at beginning of broadcast = extensive manual click and pop removal = removed 15.5 ms drop out at 00:12.381 +++++++++++++ +.speed problem / tape start - I chose not to spend the time required to fix this as it does not affect the music + track 5 could be dropped from this set and a clean lead in to track 6 Track 6. = extensive manual click and pop removal = removed 0.61 ms dropout at 8:33 Track 7. = extensive manual click and pop removal = signal repair 2:13-2:16 (drop outs, tape wow, clicks) = mute lead out * FINAL REVIEW ================================================== ===================================== Disc 2 March 24, 1960 = gain normalized across all 3 tracks = quantized track lengths for CD Audio Track 1 = added 4s lead in = manual crackle removal and digi-noise masking 1:32, 2:28, 3:15, 9:55, 10:03, 10:51, 11:07, 11:23, 13:38, 14:10 signal repair = repair drop outs at 14:10 (1.9 and 3.2 ms) Track 2 = clean up all digi-glitches = manual crackle removal and digi-noise masking 0:17, 0:19, 0:23, 0:27, 0:28, 0:35, 0:42, 0:44, 1:15, 1:23, 1:38, 2:01, 5:32, 6:06, 11:34 signal repair = removed 10.3 ms drop out (micro gap) at track 2 marker Track 3 = gain correction 0:14-0:16 = signal repair: R channel gain fades at 0:14 and 3:00 = repair drop outs 5:38 (6.1 ms) 8:57 (36.6 ms) = added 1s mute lead out = edited length of mute lead out so disc length is 44:14.000 * FINAL REVIEW ================================================== ===================================== Disc 3 April 8, 1960 = normalize gain across all tracks = quantized track lengths for CD Audio Track 1 = added 4s lead in = manual click and pop removal and signal repair 0:16, 0:19, 0:20, 0:21, 0:24, 0:48, 3:20, 12:36, 5:19, 13:18, 13:49, 14:13, 14:25, 14:53, 14:57, 14:58, 15:31, 16:08 = dropout repair 0:19 (22ms) = eliminated fade out at end of track Track 2 = eliminated fade in at start of track = manual click and pop removal and signal repair 0:13, 0:21, 0:29, 0:30, 0:32, 1:04, 1:06, 1:13, 4:42, 4:48, 4:50, 4:54, 4:55, 4:57, 5:00, 5:01, 5:02, 5:03, 5:04, 5:07, 5:09, 5:10, 5:12, 5:13, 5:14, 5:16, 5:17, 5:23, 5:24, 5:29, 5:30, 5:33, 5:34, 5:35, 5:40, 5:47, 5:48, 5:51, 5:54, 5:55, 5:56, 5:58-5:60, 6:13, 6:20, 6:35, 6:37, 6:52, 7:09 = eliminated fade out at end of track Track 3 = eliminated fade in at start of track = eliminated or diminished applause at start of track = manual click and pop removal and signal repair 4:18, 10:39, 11:16, 11:28, 11:32*, 11:33, 12:38, 14:45 = signal repair gain correction at 14:36, +3dB staged over 83ms = clean lead out = eliminated fade out at end of track Track 4 = eliminated fade in at start of track = mute lead in = click/pop removal and signal repair 0:00, 0:05, 0:06, 0:09, 3:28, 8:34*, 9:37, 13:54, 16:06, 16:40 = gain corrrection: = 2:59-3:00 (=3db staged over 1.12s = 3:28, 3:38-3:44 (+2dB) = 3:57-3:58 (+2dB + 1sb) = 12:46 (+2dB + 2sb) = drop out repair: = 2:57 (14.9ms) = 2:58 (17.1ms) - segue into Track 5 Track 5 = repositined strart ID to start of song = clened trailing fade and added mute lead out = edited length of lead out so disc length is 57:42.000 * FINAL REVIEW ================================================== ===================================== Disc 4 April 9, 1960 = clean track transitions, eliminate fade out/in where possible = gain normalize across all 5 tracks = quantized track lengths for CD Audio Track 1 = added 4s lead in = pop removal 11:27, 11:32, 16:50, 17:30, 17:41, 17:43 = signal repair fade (11:32-11:33) = cleaned transition into track 2 Track 2 = repositioned track marker to start of tune = signal repair: removed 13.3 ms digital silence (micro gap) from start of tune (at original track marker) 3:16 (12.8 ms drop out removed) = remved fade out on closing applause and segued into track 3 Track 3 - fade in on start of tune = click/pop removal 0:05, 11:30 signal repair: = cleaned up a tape wow at 3:58 -- removed 3.3 ms and adjusted gain over subsequent 2s = cleaned up a drop out at 6:47 -- removed 16.0ms = remved fade out on closing applause and segued into track 4 Track 4 = glitch removal = 0:00-2:29 - too numerous to document, but real bad during bass bow solo = tick/pop removal 0:04*, 0:08, 0:09, 0:12, 0:24, 0:25, 0:26, 0:27, 0:28, 0:29, 0:31, 0:34, 0:35, 0:37, 0:39, 0:40, 0:43, 0:44, 0:46, 0:47, 0:48, 0:49, 0:50, 0:52, 0:53, 056, 0:59, 1:00, 1:01, 1:02*, 1:03, 1:05*, 1:06, 1:08, 1:14, 1:15, 1:18*, 1:23, 1:25, 1:26, 1:27, 1:30, 1:31, 134, 134-1:36*, 1:37, 1:39*, 1:40, 1:41-145*, 1:46*, 1:47, 1:48, 1:49, 1:50*, 153, 1:54*, 2:04*, 2:05, 2:08, 2:10, 2:16, 2:25, 2:41, 2:53*, 3:07*, 3:20, 3:28, 3:29, 3:32, 3:35, 4:00, 4:02, 4:06, 4:07*, 4:15, 4:23, 4:24, 4:27, 4:37, 4:49, 4:54, 4:58, 5:24*, 5:26, 5:48, 6:05, 6:08, 6:09, 6:11, 6:21, 6:23, 6:27, 6:39, 6:40, 6:41*, 7:11*, 7:13, 7:22, 7:23, 7:29, 7:37, 7:49, 8:00, 8:11*, 8:15, 8:28, 8:30*, 8:38, 8:39,8:40, 9:02, 9:05 signal repair = 0.08 gain correction (3sb over 20 ms) = 0:22 removed 8.8 ms drop out = 0:24-0.26 repaired tape flutter = 0:51 removed 1.7ms drop out = 0:51 tape wow/drop out (12.7 ms) = 0:55 tape wow (gain corrected) = 1:09 gain corrected wow (250 ms) = 1:34 gain corrected wow (26 ms) = 2:00 removed 0.2 ms drop out = 2:17 removed drop out (44.6 ms) = 2:23 gain corected wow at 3:23 (250 ms) = 3.13 removed 10.9 ms drop out = 3:19 fixed 800 ms fade (sb series) = 3:27 fixed 250 ms fade (sb + tbu series) = 3:37 gain corrected small wow = 3:46 gain corrected small wow = 3:48 gain corrected small wow = 4:11 gain corrected wow (950 ms) +4sb (staged) = 4:16 gain corrected wow (400 ms) +2sb (staged) = 4:17 gain corrected wow (50 ms) +2sb (staged) = 6:07-6:08 gain corrected wow (800 ms) +4sb (staged) = 6:19-6:20 gain corrected wow (1.2s) = 6:47 removed 0.2 ms drop out = 6:48 gain corrected wow (250 ms) +3sb (staged) = 6:54 removed 38.2ms drop out = 7:19 removed 24.7ms and 4ms drop out = 8:28 removed 7.8 ms drop out = 8:30 removed 4.9 ms drop out = 8:39 removed 9.8 ms drop out = 8:43-8:49 gain correction +4 dB (staged) - segue into track 5 Track 5 = repositioned track marker to start of tune signal repair = removed 13.3 ms digital silence (micro gap) from start of tune (at original track marker) = removed 0.4 ms drop out at 0:43 = dampened applause crossfade = cleaned fade out - fade out on closing applause * Track 4 requires on more de-click pass * FINAL REVIEW ================================================== ===================================== Discs 5 + 6 Manchester 27 September 1960 = move tracks 4 and 5 of disc 5 to start of disc 6 so 1st and 2nd concerts are on separate discs and 2nd Concert is continuous - now I am questioning this: On the basis of sound quality, there is a vast difference between the original 2 "source" discs - the clipping on MD trumpet bursts is not easily removed as each click consists of hundreds of micro-clicks very close together; this problem is associated with the first disc, where each disc of the source material was presumably corresponds to teh two sides of a cassette ----------------------------------------------------------------- Disc 5 September 27, 1960 First Concert (29:34) = gain normalize across all 3 tracks = repostion track markes to start of songs = edit lead out length to set disc lenght to 29:34.000 = quantized track lengths for CD Audio Track 1 = insert 4s lead in = R channel + 1 dB to balance stereo image + manual click and pop removal 0:43*, 0:55, 0:56*, 0:59-0:60*, 1:03*, 1:32-1:33*, 1:36-7*, 1:41*, 2:07*, 2:19;2:27*, 3:07*, 4:26*, 4:40*, 4:44*, 5:20*, 5:22*, 5:38*, 6:39*, 5:46, 5:56*, 6:04-6:05*, 6:32*, 6:40*, 6:58-6:59*, 7:09*, 7:19-7:29*, 7:34-7:35, 7:42*, 8:24, 8:25-10:31*, 10:32, ... = signal repair = 5:50-6:14 gain corrected R channel (+4.5 dB) = 5:52-5:54 gain corrected R channel (+2.0 dB) = 6:14-6:32 gain corrected R channel (+2.8 dB) = cleaned up all digi-glitches Track 2 = cleaned up all digi-glitches + manual pop and click removal 0:32-0:35*, 0:45*, ... Track 3 = cleaned up all digi-glitches + manual pop and click removal = cleaned lead out: shortened fade out COMPLETED FIRST PASS ----------------------------------------------------------------- Disc 6 September 27, 1960 Second Concert (69:00 min.) = increase gain on tracks 1 and 2 by 1.5 dB = gain normalize across all tracks = adjusted lead out length to make disc 01:09.000 (69 minutes) = quantized track lengths for CD Audio + de-hiss tracks 3-7 ??? Track 1 = insert 4s lead in = clean up all digi-glitches + manual click and pop removal (click complexes) 0:12, 0:14*, 0:18*, 0:42*, 0:47-0:49*, 0:52*, 0:55*, 1:05-1:08*, 1:19-1:20*, 1:24*, 1:49*, 2:00*, 2:10*, 2:21*, 2:24, 2:37*, 2:41*, 2:42*, 2:46*, 2:52*, 2:53, 3:11*, 3:21*, 3:26*, 3:34*, 3:45*, 3:49*, 4:15*, 4:30*, 4:48*, 4:55*, 5:14*, 5:37*, 5:45-5:46*, 7:13*, 7:29*, 8:11, 8:12* signal repair * 3:17-3:19 -- 3 tape slips (frequency shifted) Track 2 (must re-do from scratch) signal repair = clean up all digi-glitches = shortened fade prior to end-of-song cut (refade) + manual click and pop removal 0:00.2*, 0:32*, 0:39-0:43*, 1:20, 1:21-1:25*, ++++++ Track 3 + pop removal 2:38*, 3:59 = signal repair = 5:38-5:39 gain corrected wow/fade = 3:59 gain corrected wow = 11:38 gain corrected small wow Track 4 + click/pop removal 1:52* = digi-glitches 14:16 (6 ms deleted) = signal repair = 0:21-0:22 repaired R channel drop out and associated digi-glitches = 16:40 repaired 100 ms wow Track 5 + reposition track ID to start of song + click/pop removal 2:26*, 2:27*, 3:11*, 3:19* = signal repair = 7:13-7:15 gain corrected fade Track 6 - no clicks or glitches Track 7 = reposition track ID to start of song = clean lead out (refade - changed long fade on music/applause to fade on ending applause - after the music ends) --- info.htm Miles Davis - LX Coltrane and Beyond Miles Davis - LX Coltrane and Beyond.torrent Miles Davis LX Coltrane and Beyond.htm _info.txt Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d1 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d2 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d3 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d4 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d5 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d6 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond.md5 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond.txt Miles Davis - LX Coltrane and Beyond\restorationnotes.txt Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art\davis-coltranebeyond-d1.jpg Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art\davis-coltranebeyond-d2.jpg Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art\davis-coltranebeyond-d3.jpg Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art\davis-coltranebeyond-d4.jpg Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art\davis-coltranebeyond-d5--6.jpg Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-art\davis-coltranebeyond-notes.jpg Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d1\davis-coltranebeyond-d1 FLAC (orig-notags).md5 Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d1\davis-coltranebeyond-d1.ffp Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d1\davis-coltranebeyond-d1t01.flac Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d1\davis-coltranebeyond-d1t02.flac Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d1\davis-coltranebeyond-d1t03.flac Miles Davis - LX Coltrane and Beyond\davis-coltranebeyond-d2\davis-coltranebeyond-d2 FLAC (orig-notags).md5 Miles Davis - 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Media | FLAC |
Live | 1 |
Incomplete | 0 |
ALBW | 0 |
Compilation | 0 |
nVol | 105 |