| Disco | FrostAmphitheater,Stanford University, Palo Alto October 1,1972 |
| Year | 1972 |
| Venue | USA, Palo Alto, Frost Amphitheater |
| Date | 1972-10-01 |
| Notes | Source: www.dimeadozen.org
Original torrent name: Miles Davis Rest 74 stuff,live on the Corner stuff,73 and 72 and Pete Cosey and Children of Agartha liv.torrent Original folder names: Miles Davis Rest 74 stuff,live on the Corner stuff,73 and 72 and Pete Cosey and Children of Agartha live 2002 On the Corner Band Stuff Frost Amphitheater, Stanford University, Palo Alto CA October 1, 1972 --- October 1, 1972 Frost Amphitheater, Stanford University, Palo Alto CA Audience recording Miles Davis Nonet Miles Davis (tpt, org); Carlos Garnett (ss); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Foreman (cga, perc) Rated X (M. Davis) (incomplete) 3:54 Honky Tonk (M. Davis) 8:06 Right Off (M. Davis) 12:59 Black Satin (M. Davis) 10:25 Ife (M. Davis) (incomplete) 15:42 Part 1 (9:46) + part 2 (5:55). Incomplete (4:21) on Stardust. --- Info.txt Hi Mfs Here i got forya the rest of my 74 Stuff and some 73 Stuff plus an"on the corner" special. Some Concerts with the on the corner Band. Turned into Flac. Sound Quality from good to poor,but i brougth it all up anyway for the collectors Mfs :) And as an Extra the Reunion of Pete Cosey and some MD Members in a Concert "Children of Agartha performing their Electric Jazz sounds at The Village Underground Friday, 06/21/02 NYC, NY - The Village Underground featuring Pete Cosey, Gary Bartz, Don Alias, John Stubblefield, and others. Here a note from that: June 21, 2002 - The Miles-ophiles that dug the Prince of Darkness electric period will surely recall the name of Pete Cosey, who was one of the guitarists that was a regular in Miles Davis mid-70s bands (circa the albums Agharta, Get Up With It and Pangea). Where hes been since I dont know, except that he once subbed for Bill Frisell in the jazz power trio Power Tools. Now, Cosey has assembled a killer cast of characters to pay tribute to the still-somewhat-controversial electric period. NYCs Village Underground was the setting for Pete Coseys Children Of Agharta, which included saxophonists Gary Bartz and John Stubblefield, electric bassist Matt Rubano, drummer J.T. Lewis and Johnny Juice Rosado on turntables, plus a couple a poets/rappers/ramblers whose names I didnt catch. Like Miles music of this period, the tapestries wove by these Children were heavily rhythmic and driving/driven they laid down thick slabs of psychedelic free-jazz funk with sinuous melodies that drew the crowd into a set of slippery grooves that would not quit. Cosey was a revelation this fellow who looked like a beatnik Burl Ives generated played some wildly inspired, fluid guitar playing that synthesized the influences of Jimi Hendrix (openness to the possibilities of sound), Sonny Sharrock (the free approach of Pharaoh Sanders on the electric guitar) and Eric Clapton (stinging tone and sustain) into a personal style that flew from the stratosphere into the ionosphere while maintaining a lifeline to the blues. Cosey even tipped his hat to his Chicago blues roots (he played guitar on a Howlin Wolf album on Chess in the 60s) by singing a mellow, gently misogynist blues song, assuring the ladies in the audience there was another version that slammed the male side of the equation. Bart and Stubblefield both wailed, the former in a singing, bittersweet hard-bop mode, the latter in a more pointed, piercing, rippling roar. Rubano and Lewis were the Kings Of Rhythm that night, keeping various grooves going but never rigid they werent a funk players trying play jazz, but jazz guys who had an undeniable feel for the funk. Rosado functioned both as a rhythm player, adding jabs, accents and flourishes to the matrix, other times as a counterpoint to Cosey. The crowd went wild, of course, and well they should have there was inspiration, perspiration and a general let-the-good-times-roll, hoist a drink to Miles spirit. Here is the Lineups: April 16-21, 1974 Keystone Korner, San Francisco CA Audience recording Miles Davis Octet Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc) Turnaroundphrase (M. Davis) 7:49 Tune in 5 (M. Davis) 5:50 Turnaroundphrase (M. Davis) 18:17 Ife (M. Davis) (incomplete) 18:08 Cga solo 16:50-18:08. and January 27, 1974 Massey Hall, Toronto Audience recording Miles Davis Septet Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc) First set Band warming up 1:25 Turnaroundphrase (M. Davis) 12:42 "Tune in 5" theme at 7:20; "Turnaroundphrase" theme at 7:32 Tune in 5 (M. Davis) 7:01 Zimbabwe (M. Davis) 11:33 Right Off (M. Davis) 3:06 Funk (M. Davis) (with applause) [Prelude, part 1] 10:35 Davis plays "Turnaroundphrase" theme at 7:20 Second set Band warming up 1:36 Ife (M. Davis) 17:26 For Dave (M. Davis) 13:44 Calypso Frelimo (M. Davis) (with applause) 24:45 Cga solo 14:33-24:00. and January 26, 1974 Shaboo Inn, Willimantic CT Band recording Miles Davis Septet Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc) First fragment For Dave (M. Davis) (incomplete) 15:43 Turnaroundphrase (M. Davis) 16:41 Tune in 5 (M. Davis) 8:37 Agharta Prelude (M. Davis) (with applause) 10:53 Second fragment Band warming up 0:41 Ife (M. Davis) 21:38 Turnaroundphrase (M. Davis) 16:32 Henderson plays the "Right Off" el-b vamp for the first 0:08, then settles into "Turnaroundphrase." For Dave (M. Davis) 18:57 Calypso Frelimo (M. Davis) (incomplete) 13:33 Some versions in circulation have a splice at ca. 4:15, at which point about 0:25 is missing. and April 13, 1973 Crampton Auditorium, Howard University, Washington DC Audience recording Miles Davis Tentet Miles Davis (tpt); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Khalil Balakrishna (sitar); Lonnie Liston Smith (keyb); Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Foreman (cga, perc) First concert Turnaroundphrase (M. Davis) 11:46 Tune in 5 (M. Davis) 11:05 Black Satin (M. Davis) 10:34 Tune in 5 (M. Davis) (with applause) 10:04 Cga/perc solos 6:30. Second concert Turnaroundphrase (M. Davis) 10:45 Incomplete (7:58) on Stardust. Tune in 5 (M. Davis) 6:01 Zimbabwe (M. Davis) 8:46 Agharta Prelude (M. Davis) 10:09 Ife (M. Davis) 6:52 Tune in 5 (M. Davis) (incomplete) 3:20 and October 1, 1972 Frost Amphitheater, Stanford University, Palo Alto CA Audience recording Miles Davis Nonet Miles Davis (tpt, org); Carlos Garnett (ss); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Foreman (cga, perc) Rated X (M. Davis) (incomplete) 3:54 Honky Tonk (M. Davis) 8:06 Right Off (M. Davis) 12:59 Black Satin (M. Davis) 10:25 Ife (M. Davis) (incomplete) 15:42 Part 1 (9:46) + part 2 (5:55). Incomplete (4:21) on Stardust. and September 14, 1972 (6 items; TT = 51:39) Paul's Mall, Boston MA WBCN radio broadcast Miles Davis Nonet Miles Davis (tpt); Carlos Garnett (ss); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc); Badal Roy (tabla) Band warming up 1:12 Voiceover introduction until 0:07 of "Black Satin." Black Satin (M. Davis) 10:20 Incomplete (9:45) on Super Sonic. Rated X (M. Davis) 15:35 Honky Tonk (M. Davis) 9:58 Right Off (M. Davis) 13:48 Incomplete (11:47) on Super Sonic. Sanctuary (W. Shorter-M. Davis) (closing theme, applause, announcement) 0:46 By the way------has someone the September 15-17, 1972 Sessions for putting it up? and and and ................to be continued :) Have fun with the Stuff and seeya for the bext Part. Alienman |
| Media | FLAC |
| Live | 1 |
| Incomplete | 0 |
| ALBW | 1 |
| Compilation | 0 |
| nVol | 130 |