Shaboo Inn, Willimantic CT January 26, 1974

DiscoShaboo Inn, Willimantic CT January 26, 1974
Year1974
VenueUSA, Willimantic, Shaboo Inn
Date1974-01-26
NotesSource: www.dimeadozen.org
Original torrent name: Miles Davis Rest 74 stuff,live on the Corner stuff,73 and 72 and Pete Cosey and Children of Agartha liv.torrent
Original folder names:
Miles Davis Rest 74 stuff,live on the Corner stuff,73 and 72 and Pete Cosey and Children of Agartha live 2002
Shaboo Inn, Willimantic CT January 26, 1974
---
January 26, 1974
Shaboo Inn, Willimantic CT
Band recording
Miles Davis Septet

Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc)

First fragment
For Dave (M. Davis) (incomplete) 15:43
Turnaroundphrase (M. Davis) 16:41
Tune in 5 (M. Davis) 8:37
Agharta Prelude (M. Davis) (with applause) 10:53

Second fragment
Band warming up 0:41
Ife (M. Davis) 21:38
Turnaroundphrase (M. Davis) 16:32
Henderson plays the "Right Off" el-b vamp for the first 0:08, then settles into "Turnaroundphrase."
For Dave (M. Davis) 18:57
Calypso Frelimo (M. Davis) (incomplete) 13:33
Some versions in circulation have a splice at ca. 4:15, at which point about 0:25 is missing.
---
Info.txt


Hi Mfs

Here i got forya the rest of my 74 Stuff and some 73 Stuff plus an"on the corner" special.

Some Concerts with the on the corner Band.

Turned into Flac.

Sound Quality from good to
poor,but i brougth it all up anyway for the collectors Mfs :)

And as an Extra the Reunion of Pete Cosey and some MD Members in a Concert "Children of Agartha performing their Electric Jazz sounds at The
Village Underground Friday,
06/21/02 NYC, NY - The Village Underground
featuring Pete Cosey, Gary Bartz, Don Alias, John Stubblefield, and
others.

Here a note from that:

June 21, 2002 - The Miles-ophiles that dug the Prince of Darkness’ electric period will surely recall the name of Pete Cosey, who was one of the guitarists that was a regular in Miles Davis’ mid-70s bands (circa the albums Agharta, Get Up With It and Pangea). Where he’s been since I don’t know, except that he once “subbed” for Bill Frisell in the jazz power trio Power Tools. Now, Cosey has assembled a killer cast of characters to pay tribute to the still-somewhat-controversial electric period.

NYC’s Village Underground was the setting for Pete Cosey’s Children Of Agharta, which included saxophonists Gary Bartz and John Stubblefield, electric bassist Matt Rubano, drummer J.T. Lewis and Johnny “Juice” Rosado on turntables, plus a couple a poets/rappers/ramblers whose names I didn’t catch. Like Miles’ music of this period, the tapestries wove by these Children were heavily rhythmic and driving/driven – they laid down thick slabs of psychedelic free-jazz funk with sinuous melodies that drew the crowd into a set of slippery grooves that would not quit. Cosey was a revelation – this fellow who looked like a beatnik Burl Ives generated played some wildly inspired, fluid guitar playing that synthesized the influences of Jimi Hendrix (openness to the possibilities of sound), Sonny Sharrock (the “free” approach of Pharaoh Sanders on the electric guitar) and Eric Clapton (stinging tone and sustain) into a personal style that flew from the stratosphere into the ionosphere while maintaining a lifeline to the blues. Cosey even tipped his hat to his Chicago blues roots (he played guitar on a Howlin’ Wolf album on Chess in the 60s) by singing a mellow, gently misogynist blues song, assuring the ladies in the audience there was another version that slammed the “male side” of the equation. Bart and Stubblefield both wailed, the former in a singing, bittersweet hard-bop mode, the latter in a more pointed, piercing, rippling roar. Rubano and Lewis were the Kings Of Rhythm that night, keeping various grooves going but never rigid – they weren’t a funk players trying play jazz, but jazz guys who had an undeniable feel for the funk. Rosado functioned both as a “rhythm” player, adding jabs, accents and flourishes to the matrix, other times as a counterpoint to Cosey. The crowd went wild, of course, and well they should have – there was inspiration, perspiration and a general let-the-good-times-roll, hoist a drink to Miles spirit.



Here is the Lineups:


April 16-21, 1974
Keystone Korner, San Francisco CA
Audience recording
Miles Davis Octet

Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Dominique Gaumont (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc)

Turnaroundphrase (M. Davis) 7:49
Tune in 5 (M. Davis) 5:50
Turnaroundphrase (M. Davis) 18:17
Ife (M. Davis) (incomplete) 18:08
Cga solo 16:50-18:08.


and


January 27, 1974
Massey Hall, Toronto
Audience recording
Miles Davis Septet

Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc)

First set
Band warming up 1:25
Turnaroundphrase (M. Davis) 12:42
"Tune in 5" theme at 7:20; "Turnaroundphrase" theme at 7:32
Tune in 5 (M. Davis) 7:01
Zimbabwe (M. Davis) 11:33
Right Off (M. Davis) 3:06
Funk (M. Davis) (with applause) [Prelude, part 1] 10:35
Davis plays "Turnaroundphrase" theme at 7:20

Second set
Band warming up 1:36
Ife (M. Davis) 17:26
For Dave (M. Davis) 13:44
Calypso Frelimo (M. Davis) (with applause) 24:45
Cga solo 14:33-24:00.


and


January 26, 1974
Shaboo Inn, Willimantic CT
Band recording
Miles Davis Septet

Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc)

First fragment
For Dave (M. Davis) (incomplete) 15:43
Turnaroundphrase (M. Davis) 16:41
Tune in 5 (M. Davis) 8:37
Agharta Prelude (M. Davis) (with applause) 10:53

Second fragment
Band warming up 0:41
Ife (M. Davis) 21:38
Turnaroundphrase (M. Davis) 16:32
Henderson plays the "Right Off" el-b vamp for the first 0:08, then settles into "Turnaroundphrase."
For Dave (M. Davis) 18:57
Calypso Frelimo (M. Davis) (incomplete) 13:33
Some versions in circulation have a splice at ca. 4:15, at which point about 0:25 is missing.



and



April 13, 1973
Crampton Auditorium, Howard University, Washington DC
Audience recording
Miles Davis Tentet

Miles Davis (tpt); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Khalil Balakrishna (sitar); Lonnie Liston Smith (keyb); Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Foreman (cga, perc)

First concert
Turnaroundphrase (M. Davis) 11:46
Tune in 5 (M. Davis) 11:05
Black Satin (M. Davis) 10:34
Tune in 5 (M. Davis) (with applause) 10:04
Cga/perc solos 6:30.

Second concert
Turnaroundphrase (M. Davis) 10:45
Incomplete (7:58) on Stardust.
Tune in 5 (M. Davis) 6:01
Zimbabwe (M. Davis) 8:46
Agharta Prelude (M. Davis) 10:09
Ife (M. Davis) 6:52
Tune in 5 (M. Davis) (incomplete) 3:20


and


October 1, 1972
Frost Amphitheater, Stanford University, Palo Alto CA
Audience recording
Miles Davis Nonet

Miles Davis (tpt, org); Carlos Garnett (ss); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b); Al Foster (d); Badal Roy (tabla); James Mtume Foreman (cga, perc)

Rated X (M. Davis) (incomplete) 3:54
Honky Tonk (M. Davis) 8:06
Right Off (M. Davis) 12:59
Black Satin (M. Davis) 10:25
Ife (M. Davis) (incomplete) 15:42
Part 1 (9:46) + part 2 (5:55). Incomplete (4:21) on Stardust.


and


September 14, 1972 (6 items; TT = 51:39)
Paul's Mall, Boston MA
WBCN radio broadcast
Miles Davis Nonet

Miles Davis (tpt); Carlos Garnett (ss); Reggie Lucas (g); Khalil Balakrishna (sitar); Cedric Lawson (keyb); Michael Henderson (el-b); Al Foster (d); James Mtume Foreman (cga, perc); Badal Roy (tabla)

Band warming up 1:12
Voiceover introduction until 0:07 of "Black Satin."
Black Satin (M. Davis) 10:20
Incomplete (9:45) on Super Sonic.
Rated X (M. Davis) 15:35
Honky Tonk (M. Davis) 9:58
Right Off (M. Davis) 13:48
Incomplete (11:47) on Super Sonic.
Sanctuary (W. Shorter-M. Davis) (closing theme, applause, announcement) 0:46


By the way------has someone the September 15-17, 1972 Sessions for putting it up?



and

and


and ................to be continued :)


Have fun with the Stuff and seeya for the bext Part.



Alienman
MediaFLAC
Live1
Incomplete0
ALBW0
Compilation0
nVol132